![]() ![]() ![]() Parallel compression, sometimes called New York compression, is the process of blending an uncompressed signal with a fully compressed signal. Rounding off drum parts is key to making them sound good and not over-pronounced across the entire mix. For instance, it's super common to compress all drums parts like the hi hats, kick and snare drum to shape the transients equally. Certain compressors are used to add color and flavor to individual audio tracks or entire mixes, especially compressors like tube compressors which are designed to emulate older, signature hardware equipment.Ĭompression can be used for fine tuning or shaping waveforms that might otherwise sound unruly or inconsistent. This way, we can efficiently hear both the kick and bass without muddying up the entire song.Ĭompressors can bring out sound and potentially add noise of their own to the output gain of a processed signal. In order to help the kick drum stand out against the backdrop of the low electric bass, we can sidechain the kick to the bass, so that the bass part ducks every time the kick is played. For instance, the bass guitar and kick drums commonly take up a lot of low end frequencies whilst playing at the same time. The sidechain compression effect is used to help create space to help highlight certain instruments against one that occupies a similar frequency range. Compressors are especially important when recording live, unpredictable sounds like vocals that are more likely to have unsteady input and output levels. Fully compressed tracks are easier for listeners to digest, and help create space for additional frequencies across a mix. The main reason anyone uses audio compression is to reduce the dynamic range of an input signal. So, when do you tend to use an audio compressor? Here are four of the most common scenarios where using an audio compressor makes a lot of sense: ![]()
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